Shaposhnikova) (Russian: Елена Ивановна Рерих; February 12, 1879, Saint-Petersburg – October 5, 1955, Kalimpong, India) was a Russian philosopher, Writer, and public figure. In the early 20th century, she created, in cooperation with the Teachers of the East, a philosophic teaching of Living Ethics («Agni Yoga»).
She was an organizer and participant of cultural and enlightened creativity in the U.S., conducted under the guidance of her husband, Nicholas Roerich. Along with her husband, she took part in expeditions of hard-to-reach and little-investigated regions of Central Asia (1924—1928). She was an Honorary President-Founder of the Institute of Himalayan Studies «Urusvati» in India and co-author of the idea of the International Treaty for Protection of Artistic and Scientific Institutions and Historical Monuments (Roerich’s Pact). She translated two volumes of the «Secret Doctrine» of H. P. Blavatsky, and also selected Mahatma’s Letters («Cup of the East»), from English to Russian.Helena was born into the family of the well-known architectural academician of Saint-Petersburg, Ivan Ivanovich Shaposhnikov. Her father's great-grandfather was the burgomaster of Riga. He presented the cap of Monomakh to Peter the Great. Peter the Great was pleased with this welcome and granted his camp goblet and letter of grant to the great grandfather. Peter the Great also proposed that he move to Russia and take on Russian citizenship with the new family name of Shaposhnikov.
Helena grew up and was educated in an atmosphere of the rich cultural traditions of her family. From childhood, she was inquisitive, independent and purposeful. Very early, she began to read the books from artistic, historical, spiritual and philosophic areas. She played piano excellently, and by the age of seven, she could read and write in three languages.
In 1895, Helena graduated from Mariinsky Gymnasium in Saint-Petersburg with a gold medal. Though the education she received there was excellent, Helena often also studied on her own. She learned a subtle perception of painting, knew Russian and European literature well, studied the history of religion and philosophy, and took great interest in the works of the Indian philosophers Ramakrishna, Vivekananda, and Tagore.
After finishing her education at gymnasium, Helena Shaposhnikova entered the Saint-Petersburg musical private school. The director of this school was I.A. Borovka, a senior of metropolitan conservatoire, and professor of piano playing.personally mentored Helena
After graduating that school, which was aimed mainly towards revealing the most gifted candidates who should receive higher music education, Helena intended to continue her education in the Saint-Petersburg conservatoire. But her relatives banned her from entering the conservatoire, worried that she would be interested by the revolutionary ideas found in the student environment. Thus, Helena continued her education at home, where she perfected her grasp of foreign languages, and read many things.
Often, Helena and her mother spent the summer at Bologoe in the Novgorod region, with her aunt E.V. Putyatina, at the estate of her husband, Prince P.A. Putyatin, well-known archeologist and collector. In 1899, at Bologoe, she met the painter and archeologist Nicholas Konstantinovich Roerich. They fell in love, and in spite of Helena’s relatives opposition to their marriage, in 1901, Helena and Nicholas were married in the church of the Emperor’s Academy of Arts at Vasiliev’s island, in Saint-Petersburg. In 2001, at the place in Bologoe where they first met, a memorial named «Monument of love» was established. It contains a quotation from N. Roerich’s essay «The University»: «I met Lada, my partner in life and inspirer, at Bologoe, at Prince P.A. Putyatin’s estate. Joy!»
This was a strong alliance of two loving people united by deep mutual feelings and common views.
N. Roerich wrote about their marriage in his declining years: "We passed amicably any obstacles. And the obstacles turned into possibilities. I devoted my books: «To Helena, my wife, friend, partner and inspirer».
Many of Roerich’s paintings were a result of their common creativity. He called her «She who leads» in his books, and asserted that on many his canvases, two signatures should be written: his own, and Helena’s. "We created together, and not without reason it was said that the works must have two names, women’s and men’
Nicholas and Helena had two children. In August, 1902 their eldest son George was born. Later he became a world-renown scientist and orientalist. Their younger son, Svetoslav, was born in October, 1904. He became a painter, thinker, and public worker. Helena Ivanovna paid great attention to the children’s upbringing. She read them the books, and taught them foreign languages and music. Together, they visited the best concerts, exhibitions, and theatre. She helped each of their sons to discover their own interests and dispositions, and created favorable conditions for their development.[9] From their earliest years, the children grew up in a home where their parents were in frequent communication with the other artists of the era, such as Vrubel, Kuinji, Stassov, Diaghilev, Stravinsky, Block, Vl. Soloviev, and Bekhterev. Painter V. Serov once came to their home to draw Helena’s portrait.
H.I. Roerich supported all of her husband's initiatives, and went deeply into all his fields of study. In 1903—1904, they traveled together through forty old-Russian cities to find sources of national history and culture.
Works of Helena Roerich:
- Leaves of Morya's Garden I
- Leaves of Morya's Garden II
- New Era Community
- Agni Yoga
- Infinity I
- Infinity II
- Hierarchy
- Heart
- Fiery World I
- Fiery World II
- Fiery World III
- Aum
- Brotherhood
- Supermundane I
- Supermundane II
- Supermundane III
- Supermundane IV
- Letters of Helena Roerich, Vol. I-IX
- On Eastern Crossroads
- Foundations of Buddhism
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